by
Kitty Synthetica
Few
debut albums have been so hot anticipated as that
of London underground noise merchants The Defiled.
It's felt like a long wait, but not only is Grave
Times a beast of an album, but it's also a timely
reminder that you don't need overly flamboyant, twiddly
guitars to get a great heavy sound with a wide appeal.
Grave Times is a record packed with beefy chugging
riffs and flawlessly tight drums, reminiscent of Fear
Factory at their creative height, but with a passion
in Stitch D's vocals that was often missing from FF.
Exciting and refreshingly different, there are some
genuinely massive tracks on here; songs like the explosive
Call to Arms deserve to be recognised for the
truly fantastic drums and Stitch D's fantastic vocal
range, combining both powerful screams and flawless
clean singing. The Ressurectionists, the highlight
of the album, has the best chorus I've heard in a
long time, with a tune that truly sticks in your head,
whilst the verses showcases the band at their brutal
heaviest. Few albums these days truly stand up as
an entire work, however Grave Times has been
masterfully produced and all of the songs on the record
have been carefully constructed with a technical intricacy.
The echoes and subtle synths give the tracks depth,
over the huge guitar riffs and double-bass driven
drums.
As debuts go Grave Times is an impressive offering,
giving little to criticise and an already well-established
sound. A rising star on the British live scene through
their relentless touring, The Defiled have
a massive, and well earned, future ahead of them,
with their unbeatable combination of tight brutality
with melodic hooks.
Album rating: 9/10
Best Tracks: "Call to Arms", "The Ressurectionists",
"Blood Sells"
For Fans Of: Fear Factory, Deathstars, Dir En Grey